Tag Archive | "corrientes"

Top 5 Yerbas


Just because the summer heat has arrived doesn’t mean that it is time to stop enjoying mate. Whether you prefer organic, foreign, smooth, cooperative or strong, this list will help you find the right yerba for you.

Fields of Argentina Yerba Mate in Establecimiento Las Marías, (Photo by MateRojo)

Kraus Orgánica Mate

Like all types of farming, the yerba industry has its fair share of organic options. With its USDA Organic approval stamp, Kraus Orgánica is among the most popular organic yerbas. Kraus has been a family business since 1894 and because of its organic, kosher and fair trade standards, this yerba can only be found in specialty health shops, of which there are many in Buenos Aires.

The Kraus yerba farm is located in San Ignacio, Misiones, Argentina. The company prides itself on its “green” farming practices; they do not use any herbicides, pesticides or artificial fertilisers in the production process.

“We work within the system that nature has provided us,” owner Milton Kraus says.

The company also supports biodiversity by replanting native trees to the area. In spring and summer the yerba is harvested with the company’s machinery and in autumn and winter they harvest by hand.

This mate has a clean taste with a very slight hint of lemon. The only complaint is that the cycle is short and the yerba needs to be changed too frequently.

Mate in Uruguay (Photo by Chris Barrett)

Canarias

If you think Argentines drink a lot of mate, wait til you see what goes in Uruguay. Whether they are riding a motorcycle or going to the bathroom, Uruguayans have a tight bond with the herbal tea and always seem to have a thermos under their arm.

It is no surprise, then, that one of the most popular yerba producers is a Uruguayan company: Canarias. Started in 1951 in the city of Pando, Canarias is named after the Canary Islands to pay tribute to the birthplace of the founder’s parents.

Their vision is “to be recognised as the most prestigious company in Uruguay.” Through their devotion to “creating products that help improve consumers’ quality of life,” they are doing just that. Canarias boasts the benefits of yerba mate on the company website: cardiovascular health, age prevention, source of energy and digestion aid, among others.

There are seven different types of Canarias yerba ranging from tradicional (bitter and strong) to serena (herbal).

While Argentina may be the largest yerba producer, there is something to be said about Uruguay’s mate tradition. “In Uruguay, mate is a symbol of our identity,” Canarias website says. Canarias is a bit harder to find than local brands in Buenos Aires, but Coto supermarkets usually have it in stock.

Union Suave

When looking for a smoother, less intense and bitter taste, have a try of Union Suave. This yerba is known for its mild, smooth taste and also comes in orange, peach and apple flavours.

Union Suave is produced in the north of the Corrientes province by a company called Las Marias. Started in 1924 with a family love of plants, Las Marias has grown to be the largest producer of yerba mate in the world. Known primarily for their first product, Taragui, Las Marias produces five products in total, Union Suave being their most mellow.

The company’s founders and their help live on the yerba farm’s property in Corrientes. They have built an entire neighborhood including a school with more than 500 students, a hospital, and a sports club. They offer visits to the yerba farm and tours of their production process for those who are interested.

Las Marias exports to more than 40 countries worldwide and is very easy to find at most supermarkets in Buenos Aires.

Mate closeup, by Emilio Kuffer

Playadito

For those who are looking for an extremely mellow green tea taste without the strong herbal flavor of mate, Playadito is the yerba for you. Grown in Colonia Liebig, Corrientes, Playadito is produced by a cooperative. Started by a group of German, Ukranian and Polish immigrants over 80 years ago, the cooperative now has more than 140 workers producing honey, livestock and yerba.

If you are a first time mate drinker or have been turned off by the intense taste of yerba, the light Playadito is a good way to ease you in. The cooperative makes several kinds of yerbas in addition to their traditional Playadito including a tereré (to be drank cold) and a mate cocido (comes in the form of a tea bag).

Playadito also sells mate gourds, bombillas and termos in their signature colour: yellow. Visit http://www.cooperativaliebig.com.ar/ for purchasing details.

Amanda

Whether you are a seasoned mate drinker or are willing to dive head first into the land of “fuerte” mate, Amanda delivers a strong, bold taste that will stir both your brain and your taste buds.

This family-founded company (La Cachuera S.A.) from Misiones may have the strongest taste in the business but they are making their yerba one of the most accessible. While mate is usually enjoyed in a home or public space, Amanda has created “mate bars” throughout Buenos Aires city and province where people can go to enjoy Amanda yerba mate in a bar scene. Check their website for a list of locations: http://www.yerbamanda.com.ar/en/matebar.php

La Cachuera S.A. opened a museum in 1997 that pays tribute to the founder, Juan Szychowski and has been declared a point of tourism interest in Misiones province.

Amanda offers a flavoured yerba in lemon and orange as well as their most popular traditional brand. They also have a yerba that is produced without stems and another one that is mixed with herbs such as peppermint, pennyroyal, incayuyo, linden, boldo, mint and lemon vervain.

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My BA: Sergio Ferro, Bookseller


Sergio Ferro, bookseller (Photo: Kamilo Hernandez)

I am 63 years old and have lived in the city of Buenos Aires for 18 years now. I should say, Santa Maria de los Buenos Aires, which is the complete name. Now, I live in the neighbourhood of Balvanera, which is Comuna 3. I spend most of my time in the south of the city, although I know Palermo, Recoleta, and Belgrano very well, too. Barrio Chino is one of my favourite places to spend time.

To me, Buenos Aires is a great cultural capital, one of the most thriving and varied places in the world. The things I personally enjoy most are concentrated on Av. Corrientes, where I go to see theatre, films, and look through the libraries for many of the books I end up reselling here. You see many of them are books about football, or books by Argentine authors. Some are popular for reasons I don’t understand [Sergio gestures at a book with Justin Bieber on the cover].

Here, on Florida and Rivadavia, I sell my books. Previously, I worked in the restaurant industry, after I finished studying to be a cook. I did that for many years, but now I enjoy this more. I also sell antiques at the fair at Parque de Los Patricios, and you can see I knit hats, too. People like them this time of year because it is colder. I was just working on one now, in fact.

I appreciate many types of literature, but my favourite thing to read is Mafalda, by Joaquín Salvador Lavado, whose pen name is Quino. Mafalda is a brilliant character. There is even a statue of her sitting on a bench at the corner of Chile and Defensa, outside of where Quino once lived. “Paren el mundo que me quiero bajar” (“Stop the world, I want to get off”).

In my experience, I’ve always seen Buenos Aires, and all of Argentina, as becoming more and more responsible over time. We always become more and more Argentine in our identity. Though there are many things we don’t like, we are a responsible people. Everywhere, in the city especially, when we vote, we think. Many people say that our system in Argentina is disorganised, but it isn’t disorganised. It is a very thoughtful and free system, based on all of us being together as a country. All are friends.

Of course, because of the history of immigration here, because modern Argentina was founded on immigration, we are a city that welcomes foreigners. We welcome them, but I think we also try to accustom them to the culture we have created here. There are things we don’t like. We have ways of doing things. There are differences and we like to accustom people to our way, while respecting everyone’s freedom.

It is a wonderful place, in my opinion. The air is less contaminated than in other cities. We respect human rights for everyone. Women share the same freedom that men have, and they may even be more powerful than the men here, in commerce and elsewhere. The culture of Buenos Aires is for everyone to enjoy, no matter how much money you have. You see that many important things here are inexpensive, like transportation, our utilities. Anybody can go out and enjoy tango, or delicious food, whatever it may be. The customs of our city are open to be experienced by anyone and everyone.

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Corrientes Health Minister Sparks Criticism from Social Groups


Amid much discussion about the Supreme Court’s recent landmark decision on abortion rights for victims of rape, Corrientes Health Minister Julián Dindart ignited controversy today with comments on early age pregnancies.

The health minister spoke about the subject today on Radio Dos, suggesting that pregnancy at a young age can present enticements to young women from an economic standpoint.

“Some girls become pregnant because they have an economic resource as a reward, but there are several reasons,” Dindart said.

Social groups reacted fiercely to Dindart’s comments in part because they surrounded a discussion about two cases of girls, aged 10 and 12, who were treated for advanced pregnancies.

The health minister discussed high levels of early pregnancy in Corrientes and pointed out that the numbers were also relatively high around the country.  He argued today that programs such as the Universal Child Allowance have advantages that may be a national pattern.

The head of the women’s movement “Juana Azurduy”, Carolina Gonzalez, described Dindart’s comments as “terrible and despicable,” asking him to stop “insulting women and young girls who have been abused.

Dindart also said that he disagrees with the decision of the Supreme Court, which set a new precedent based on the case of a girl who had been abused by her stepfather.

“I do not share that decision because it leaves open a very large door to lying,” Dindart said.

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Thirty Years After His Disappearance, Falklands/Malvinas Veteran is Found


Miguel Ángel Brítez, a war veteran who his family gave up for dead in 1982, has been found living on the streets of Uruguay, suffering from psychological problems.

Brítez, 49, who served as a marine and saw combat in Port Stanley during the Malvinas/Falklands conflict, returned to his native Corrientes after the war, but his stay was short lived. He left two weeks later to seek work in Tucumán and his family has never heard from him since.

The veteran’s identity came to light when he was hospitalized, having suffered severe injuries following a fight with another homeless man in the city of Tacuarembó, 380 northwest of Montevideo, according to Jose Galván, the president of Corrientes Centre of Veterans.

Informed of the incident, the Vice Consul of Argentina in Paysandu contacted the Corrientes director of the Malvinas Argentinas, who confirmed the identity of the veteran.

The Argentine consulate has issued a statement confirming that Brítez has suffered a cranial fracture during the street fight which has paralysed his lower body from the waist down. But Galvan added that Brítez is “lucid and asked to return Corrientes.” He is due to be transferred to the capital of Corrientes next Monday.

“Miguel Anfel is from Ita Ibaté and his six brothers are going to wait on Monday at the airport of Corrientes,” Galván said, “in a moment that will be emotional and historical.”

Brítez’s family is “very shocked by this news since the veteran’s mother died 14 years ago, thinking her son was dead.”

After being reunited with his family, Brítez will be transferred to Corrientes Hospital to be treated for his injuries.

In June 2011, a similar case was reported in Concordia, Entre Ríos. The veteran Francisco Fherenbacherse, who served as an engineer on the destroyer ARA Comodoro Py during the war, was accidentally found by other former soldiers in La Criolla.

 

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Capitanich Wins Comfortable Re-election in Chaco


Sixty-seven percent of the vote in Chaco went to the re-elected governor for the Frente Chaco Merece Más candidate Jorge Milton Capitanich. After winning more than twice the number of votes than his Radical opponent Roy Nikisch, Capitanich dedicated the victory to his late friend and former president Néstor Kirchner and President Cristina Fernández de Kirchner.

Capitanich spoke of the “responsibility to help the president.” He discussed the necessity to generate more investments, private sector employment, social inclusion and improved income distribution to make “Argentina a just and developed country.”

He emphasised that Chaco is in a process of development and will be one of provinces with the highest relative growth in the coming years.  Capitanich stated, “In the past four years we have grown 47.7%,” adding that although there still exist social classes, poverty has been cut in half.

Finally, when asked about his future, Capitanich said it is too early to talk about the 2015 elections. For now he is just going to focus on his two main objectives: being successful in governing his province and establishing a stronger and improved legacy.

Along with Chaco, Corrientes and Córdoba also held provincial elections this past weekend.

The victory in Corrientes went to Ricardo Colombi, a radical candidate with the Encuentro por Corrientes (ECo) party. Colombi and the ECo held the lead with a nine-point difference over the opposing party Frente para la Victoria (FPV).

In the city of Córdoba, another radical candidate Ramón Javier Mestre won with 36% of the vote. Mestre told Clarín, “ These results show that we can continue with the recovery of the Republic of Argentina and as one united party we can work for the citizens and offer them an option of a real government.”

 

 

 

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Chicago Razzle Dazzles


Argentina cast of Chicago (courtesy of Lola Membrives Theatre)

Long anticipated, the musical ‘Chicago’ finally took its place at the legendary Lola Membrives Theatre towards the end of last year. After premiering in November, the musical has received many a rave review, so after its first cycle on the grand Avenida Corrientes, I made my way down to check it out.

Whether you love it or hate it, Chicago has got to be one of the world’s most popular musicals. The story is about two females who are jailed for their murderous crimes, and thus tells the story of the corrupt, competitive world of the Chicago courtroom during the Prohibition Era, but the musical version being told through jazz and dance. The original story was written by female reporter, Maurine Dallas Watkins, who covered real murder trials in the early 20s.

The powerful connection was made when the great story was tantilisingly spun into the vaudeville-style musical by geniuses Bob Fosse, Fred Ebb and John Kander back in the 1970s. A rapturous, sensual musical story was thus created.

It debuted on Broadway in 1975 at the 46th Street theatre and has since become a classic musical, with productions all over the world. Where a musical begins in Broadway, usually it quickly follows in the West End in London, and did so with Chicago making its debut in 1979 at the famous Cambridge Theatre.

In both instances the show ran for a good while, but was put on hold until it reappeared on Broadway in 1996 and 1997 in London. It is now also one of the longest running musicals to stay on the Broadway stage. It was revived slightly in 2002 when the film version starring Catherine Zeta-Jones and Renee Zellweger was released.

To the BA stage

Musical makers have been trying to get this production up and running for years, but due to various complications and lack of resources, the show didn’t open until the end of 2010. As the musical scene is on the rise in BA, it seemed a natural progression for this flawless musical-great to finally slip its way onto the the Argentine theatre stage.

With the classic Lola Membrives Theatre working as its house, Chicago landed with a 20-actor cast, being directed and produced by Broadway and Argentine theatre staff, with their big band alongside them.

Chicago lead actors (courtesy of Lola Membrives Theatre)

One of the first questions I had was if this Broadway musical could make a safe crossover for a Spanish-speaking audience. Oftentimes the script translations can sound slightly ridiculous due to the content of the story being difficult to translate across cultures. The man in charge of translation,  Gonzalo Demaría, however did a pretty sound job, and the main numbers changed into ‘Y siga el Jazz’ (‘All that Jazz’) and ‘Brillo y plumas’ (‘Razzle Dazzle’). Some of the main script didn’t quite hit the nail on the head, but it did not affect the gist of the story.

In this production, Lola Membrives opens its regal vintage curtains to welcome musical stars: Natalia Cociuffo playing ‘Roxie Hart’, Melania Lenoir as ‘Velma Kelly’, and Martín Ruíz as ‘Billy Flint’. All three of these actors have become well-established in the Argentine theatre world, so it was really a treat to see what they had to bring working as a team.

Cociuffo was a delight to watch as ‘Roxie’, as her abilities as an actress captivated throughout the show. She was cute, but still feminine and strong and really showed off her acting abilities during her monologues. Lenoir was rightly cast for the part of Velma, however even though she shows a striking resemblence to Ute Lemper, who famed as Velma on the London stage, her voice was lacking, and in certain numbers she was slightly behind her counterpart, ‘Roxie Hart’.

The ‘Y siga el jazz’ number with Lenoir didn’t impress me much, as it was all a bit flat. She also looked a lot older in this production than she did in Avenue ‘Q’, and her performance was strained at times. The choice of Ruíz for the ‘ladies man’ lawyer, ‘Billy Flint’ was an excellent one, as he shon through with his acting skills, and master voice.

The rest of the cast included Horacio Vay as ‘Amos’ and international artist, Alejandra Perlusky as ‘Mama Morton’ alongside a hugely talented chorus. Vay as ‘Amos’ at first surprised me, as he was pretty old to be playing the character as the invisible boyfriend of Roxie; however his acting was remarkable, as was his voice. Another strong performance came from musical comedy genius M. Rivero as ‘Mary Sunshine’ as his voice shrilled around the theatre.

The Argentine cast of Chicago (courtesy of Lola Membrives Theatre)

Perlusky was an odd choice, as her body did not fit quite well with the role she was given as Mama. She has a classic tango voice, so some of the numbers didn’t quite fit the bill for me, but her strong stage presence made up for it.

The choreographies were true to the Fosse style, and it didn’t just resemble Broadway, but brought a new energy to it, along with some splendid Argentine attitude. In particular, the ‘Cell Block Tango’ was smoking and the ladies gave a tantalising performance. The dancing was well executed, and the cast over all had a great relationship with the live jazz band, who provide the music on stage.

Could the story of murder, greed, corruption, violence, exploitation, adultery and treachery be told convincingly, and still entertain? The answer is yes.

The terrifically talented cast, alongside a showstopping band provides the components for a thoroughly entertaining show. It is the best one I’ve seen yet, and it was, truly excellent.

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O Beloved Gauchito Gil: Worshipping a Homegrown Saint


Young pilgrims along the way. (Photo: Pato Guillamón)

They have come from all over Argentina. Some have even come from parts of Paraguay and Brazil. Most have come by bus, many by car or motorcycle, and some by good old fashioned hitchhiking. They have come with their spouses and children, aging parents and grandparents. They have come alone, leaving their families behind. They have brought tents, blankets, lawn chairs, guitars, portable barbeques, charcoal, snacks, and foam coolers. They have brought nothing but themselves. Most importantly they bring well-loved statues – whether small or as large as their torsos – of the man whom they have travelled to thank, remember, and ask of; the homegrown saint of Argentina, Antonio ‘Gauchito’ Gil.

On the eighth day of every January, the town of Mercedes in the northeastern province of Corrientes is inundated with more than 200,000 followers of Gauchito Gil. However, it is a along a stretch of road eight kilometres north of the town where the action happens. It is here where Antonio Gil is said to have been brutally murdered, and where a small sanctuary stands in his honor.

Nearing midnight on 7th January, a continual procession of buses, vans, cars, real and wannabe gauchos on horseback make their way to the sanctuary amidst a chorus of crickets. Everyone wants to be there when the clock strikes midnight. When it does, most, like myself, are stuck kilometres away from the sanctuary and ditch their cars to head on foot toward the music and fireworks that light the sky. The day has begun.

The evening is warm and the air is thick with the smell of asado. Parked buses, cars, tents and venders line the road to the festival. Vans sell overpriced beer, soda, and hot water for thermoses. One man’s trunk is piled high with pigs ready for the grill.

About half a kilometre from the festival, the flow of people slows to a stop, as most have joined the ever-growing and motionless line to enter the sanctuary. Following it takes one through rows of stalls selling statues, rosaries, candles, red ribbons, posters and trinkets. There is even a Gauchito Gil brand of yerba. Stacks of meat simmer on grills and clouds of smoke billow from the makeshift restaurants into the faces of those stuck in line. Speakers blare songs dedicated to Gauchito Gil and televisions screen dramatic documentaries that tell the story of his life and legend of his death.

It’s one hell of a party thrown by a saint. And to an outsider, ignorant to the Gauchito Gil mystique and watching the five-hour line and its surrounding spectacle, there really is only one question: Who is Gauchito Gil? Who is this serene-faced man with a bushy mustache and long dark hair, wearing those wide-legged gaucho pants and three red bandanas, one around his waist, neck, and head? And how did so many come to adore him?

Gauchito Gil statues among others. (Photo: Sergio Serrano)

Lover, Outlaw, Savior

As one of the various legends goes, somewhere around the 1850s in the province of Corrientes, a beautiful young girl falls in love with the handsome gaucho who works on the ranch to which she is heiress. Her name is Estrella Diaz Miraflores, and his, Antonio Mamerto Gil Núñez, El Gauchito. Problem is, she’s engaged to the local chief of police, and besides, her family would never accept such a match with a humble, though charming, farm worker. El Gauchito hides in the town of Pay Ubre, what is now Mercedes, and from there enlists in the Triple Alliance war against Paraguay.

Upon his return, he is called yet again to fight, but this time in a civil war, Correntinos against Correntinos. But the Gauchito has a dream that night, in which the native Guaraní god Ñandeyara appears to him and tells him “not to shed the blood of brothers”. In the morning, the Gauchito is gone, and becomes a deserter of the army, living outside the law, and dedicating his life to helping the poor and indigenous by stealing from the rich.

One day, while sleeping under a tree after a party, the police catch up with the Gauchito, arrest him, and head for Mercedes. Eight kilometers from town, his captors decide to take justice into their own hands. They tie him to a tree and begin to fire. But he won’t die. So they string him up by his feet and slit his throat. Before they do however, the Gauchito speaks his last words to the sergeant:

Gauchito Gil memorial up a tree. (Photo: Tito Savary)

“You are going to kill me now, but you will arrive in Mercedes tonight at the same time as a letter of my pardon. In the letter they will also tell you that your son is dying of a strange illness. Invoke me before God and pray for your son’s life, because the blood of the innocent serves to makes miracles.”To which the sergeant says: “I don’t care,” and kills the Gauchito.

But much to the sergeant’s dismay, the letter does arrive as the Gauchito said it would, and his son is indeed, terribly and mysteriously ill. Remembering the Gauchito’s words, the sergeant takes his son from bed and to the now-buried Gaucho, eight kilometers north of town. There, before God, the sergeant prays to Gauchito Gil for the life of his son. The next morning, as promised, all is well. And thus, Gauchito Gil’s murderer becomes his first devotee.

At least, that’s what they say.

Not alone

For the people waiting in line, some for the first and most for the second, seventh, or thirtieth time, Gauchito Gil is not so mystical, but a saint with whom one can be intimate and talk to every day.

“To me, he is a friend who fulfills promises,” says Juan Carlos, a middle-aged man from Misiones dressed in gaucho-wear, a large red flag with an image of the Gauchito draped on his back.

“He is a reference of support for me,” says Rita who has come by bus from Esquina, Buenos Aires. “Because we all need some support and some kind of faith.”

Some could not share their thoughts on the Gaucho, as even the thought of describing what he has meant to their lives made them choke up.

A tall elderly man with a weathered face and a wide-brimmed gaucho hat tells me he does not come to ask the Gauchito for anything, “but to thank him for what he has already given me.” He eagerly launches into the story of his niece’s operation on a malignant tumor. Moments into it he stops and raises his hands to his face, pushing back tears. “She called me the next day,” he continues, his voice feeble. “And told me ‘Uncle! I got the results. Everything is okay!’ I told her it would be.”

“I work in a factory but I go out to the campo often,” he tells me. “And when I go, I don’t go alone. I say to myself, ‘Okay Gaucho, we have to do this and that’.”

Looking through an altar. (Photo: Pato Guillamón)

Many had similar experiences with terminal illnesses or family members with health problems, and curiously, they have remained healthy enough to make the trek every year to ask for continual protection. One woman holds her daughter, less than one month old.  She tells me that the birth was hard on the baby, who will need six months of physical therapy for a dropped shoulder.

“It’s my first time here,” she says, perhaps looking at four more hours of waiting, “but everything I have ever asked of the Gauchito he has fulfilled. I don’t care how long I have to wait.”

For almost everyone, the main reason for coming is the same: To fulfill a promise. Because everyone knows that if the Gauchito answers your prayers today, you must come back.

Wait not in vain

By night, the festival is a dark unintelligible jungle of faces and sounds, music and laughter. But by day, in 40 degrees of heat and not a cloud in sight, with the line to enter the sanctuary twice as long, the event reveals itself for what is truly is: an act of faith.

Alongside a steady stream of cars and buses that kick up dust and cough out exhaust, devotee Antonio Aguirre makes his way to the end of the line not on foot, but on his knees. Carrying a couple of plastic bags with water and items for the sanctuary, he hobbles carefully along the graveled shoulder of the road.

“My promise begins at the bridge,” he says signaling to a small bridge about half a kilometre behind him, “It’s about three kilometres in total.”

Though he used to live in the province and would come to the sanctuary with his Correntino parents, Antonio had since moved to Buenos Aires and had stopped coming. That is until some years ago when his son was ill and would not sleep for days. A friend asked him if he had made a promise to someone. He remembered that he had, and knew what he needed to do.

“I brought my son to the sanctuary and he slept like a king.”

If the Gauchito answers Antonio’s prayers today, next year he will travel from Buenos Aires to the sanctuary by bicycle.

The sanctuary itself is a tin roofed, three by five metre space enclosed by a metal fence. Inside is a statue of the Gauchito, a large cross and a looming cement tomb, both covered with metal placards of thanks and praise from devotees. Ten or so police officers “administer” the viewing of the sanctuary, one of which directs the entire process with a piercingly loud whistle. Followers enter in groups of 15 or 20, carrying flowers, red ribbons, bottles of whisky, and other offerings for the Gaucho. Upon entering they immediately rush to the statue, whose paint has been worn away under hundreds of thousands of hands. They touch it, close their eyes, and despite the chaos, find a private moment with their Gauchito to say thanks and to pray.

No more than a minute later and it’s all whistles and “Bueno, Bueno,” as the police brusquely escort the devotees out. A day-long wait in the heat for one minute inside the sanctuary. A small price to pay for prayers answered, most would agree.

A lone memorial in the campo. (Photo: Tito Savary)

Times of need

Second to asking for their health, everyone told me that they had and continue to ask the Gauchito for work. As Gauchito Gil was from the North-East, so are many of his followers, coming from the notoriously impoverished northern provinces of Misiones, Chaco, Formosa, and Corrientes itself. Facing a shortage of work due in part to the consolidation of land and expansion of agribusiness, a large number I spoke with had moved away to urban areas, but continue to keep up the custom.

“Most people don’t have work or education,” says Carina of Corrientes, who sold hot water for mate during the festival. “There is education but there are no work opportunities. Although they [people of the area] might be prepared, they look for work outside, in Buenos Aires or Cordoba.”

Gustavo from the city of Avellaneda in Greater Buenos Aires became a follower when he saw a small red altar of the Gauchito while leaving a soccer stadium after a game one day.

“My job situation was bad and I looked to the sky and said ‘The only thing I ask for is work.’” He says he is now working with a healthcare company, and this is his first time at the sanctuary.

“I came here without a dime,” he says, “but with tremendous peace.”

Next to Gustavo are Fabian and Hector, strewn out on two mattresses placed in the open cargo space of a large bus, a shady and breezy refuge from the heat. They are bus drivers and have been making the eight-hour trip from Buenos Aires to Mercedes for seven and five years respectively.

Fabian says that coming to the procession fills him with a sense of protection “in a country where justice takes a long time.”

“We have to confront many problems – a lot of insecurity, the lack of social equality, things for which the Gauchito fought as well. His saying was ‘not to spill the blood of your countrymen, but fight for the well-being of all’. Today if we really understood that saying, we wouldn’t be where we are.”

Festival Blues

The festival for a saint had quite a handful of not-so-saintly characteristics. Despite the number of vendors selling food and beverages, one could not count a single trashcan and there were maybe five bathrooms in total, all of which cost between 50 cents and 2 pesos to use. Therefore, unsurprisingly, the flat green pastures surrounding the sanctuary were converted into one big repository – with bottles and papers scattered everywhere and the pervasive stench of urine.

Nearly every room in every hotel in Mercedes was booked, charging between $150 and 300 per night, and campground space was also limited and expensive. Despite the lack of accommodations, there seemed to be no qualms with charging ten pesos for a “choripan” and 15 for a litre of beer – more than double the normal price at any kiosk in Buenos Aires.

Fabian says that the authorities of Mercedes should do more in the way of accommodations.

“It’s not justified. When one sees the social level of the people who follow the gaucho, it’s like, there’s a lot of profiting going on. Let’s hope the Gaucho doesn’t turn into a business.”

“We aren’t in Punta del Este or Pinamar,” he says, “We’re in Mercedes in 50 degrees of heat. The iguana has to cross the road with gloves.”

Gauchito Gil Flag memorial (Photo: Alicia Nijdam)

Who’s to saint?
Gauchito Gil is what many would call a “pagan saint,” as the Catholic Church has not canonized him as a “proper” one. And chances are that the Congregations of the Causes of Saints that oversees the canonization process aren’t making any recommendations to the Pope anytime soon.Yet despite being devoutly Catholic, most everyone I spoke with did not worry too much about the state of the Gauchito’s sainthood, and the response was indignantly unanimous: “Take a look around.”

“It doesn’t matter that they don’t recognise him,” the elderly man tells me. “What we show him is something magnificent,” he says. “We show him that, maybe he can’t be sanctified, but with this demonstration, there is no need. This is sufficient, this act alone. There are no words.”

Fabian says: “The Gauchito wasn’t looking for fame,” and reminds me that the Church “is always late” when it comes to a lot of issues.

“I prefer the humility, the modesty, the loyalty of humble people, to the grand luxuries. You don’t have to be rich to be a saint. And you don’t have to be rich to be devoted,” he says.

Caina of Corrientes says the Gauchito is a tradition of the area, “a saint of the people even though he was a worker and robbed and did what he did.” Or perhaps it is because he was a worker, a deserter, an Argentine Robin Hood, that Antonio ‘Gauchito’ Gil gains more and more followers each year.

Exhausted and sun-baked, the masses pack up their tents, gather their families and friends, and climb onto the buses and into cars to head home. Leaving their prayers behind they take with them one very important promise: To return.

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