Tag Archive | "prisons"

Venezuela: Police Regain Control of Merida Prison Following Riots


After a deadly riot lasting more than 20 days, Venezuela’s Bolivarian National Guard regained control of the Cepra penitentiary in the western part of the Merida state.

Prisons Minister Iris Varela confirmed that early Saturday morning, following several weeks of negotiations, riot leaders surrendered to police forces who had moved into the prison’s facilities.

There were no fatalities in the operation.

The riot, provoked by opposition to the compulsory transfer of inmates to other jails, left 22 dead and more than 60 wounded.

Varela also noted that amidst the riots, a female visitor who had been kidnapped and detained, gave birth.

Venezuelan prisons have a history of security problems, violence and overcrowding. The Inter-American Commission on Human Rights says fights between rival gangs in Venezuelan prisons caused more than 500 deaths last year.

“There will be no longer armed inmates in the prison, we will not have a situation like that in Merida state again,” Varela told state TV channel Venezolana de Television.

 

Posted in News From Latin America, Round Ups Latin AmericaComments (0)

Latin America: Commission Reports Violations of Human Rights in Prisons


The Inter-American Commission on Human Rights (CIDH) has presented an overview of the current regional prison situation in “Report on Human Rights of Persons Deprived of Liberty in the Americas,” in which it voices concerns over unsatisfactory prison conditions and overcrowding.

The paper denounced the structural deficiencies of the prison and state negligence toward elements that conspire against the rehabilitation of people living in prison.

The organisational body of the OAS Human Rights also highlighted the lack of protection of vulnerable groups, lack of employment and educational programmes and lack of transparency in prison management.

According to data published in the report, Uruguay, Mexico, and Venezuela are the countries that invest the least in their prisons, while the Bahamas is the largest contributor.

Moreover, the commission expressed that in various countries in the region, the inmates spend long periods in detention before being charged and brought to trial.

The document also reports the use “of torture for purposes of criminal investigation,” and the “use of excessive force” as well as preventative detention.

Finally the organisation calls on the regional states to guarantee the rights of persons deprived of their liberty and to ensure decent conditions of detention.

Translated from Pulsar

Posted in News From Latin America, Round Ups Latin AmericaComments (0)

Project of the Week: La Belgranense


IdeaMe is an online platform, which helps creators, be they inventors, artists, or designers, among others, to finance their projects through crowd funding. The Indy features and promotes one project every week, with the aim of helping the creators finance and achieve their dreams.

La Belgranense performing (courtesy of La Belgranense)

This week’s featured idea.me project takes us into the lively atmosphere of La Belgranense’s big band ensemble. Formed in 1999, this group of 20 musicians has dedicated itself to entertaining in a variety of locales that don’t typically enjoy such energy-filled performances.

Formed in the Temperley area of Buenos Aires, La Belgranense is a travelling act of good will and high spirits. At least once per month for the last 13 years, the group has visited rural schools, nursing homes, special schools, psychiatric hospitals, and prisons in Argentina in order to perform for those whose access to live music is limited by circumstance.

La Belgranense initially emerged as a dream of founding member Juan Carlos Pombo. Though he had not played trumpet for over ten years, Pombo asked whether a band existed at his children’s school in Temperley. He was given the go ahead to form La Belgranense.

“I sent a note to parents calling on them to play any instrument, and with the first five members, we organised rehearsals and got a band leader,” explained Pombo.

What began as five members soon blossomed to 20, comprising professionals who range from lawyers to engineers. Today, La Belgranense’s impressive line-up includes three flutes, two clarinets, five saxophones, two trumpets, two guitars, a trombone, a flugehorn, keyboards, percussion, and a recorder, among other odds and ends.

Beginning in 2001, in response to hard times around the country, La Belgranense formed a sponsorship with a school in Bella Vista, Corrientes. Now, every October, through the Civil Association of Patrons and Students of Rural Schools (APAER), La Belgranense travels to Corrientes to entertain groups of students, bringing along donations and a full selection of tunes.

“Our repertoire is varied and eclectic,” said Pombo. “It goes from tango and folklore to jazz and popular music, as well as a children’s repertoire, but I think that jazz is where we are most comfortable.”

La Belgranense also partners with the Claps Group, a team of animators who stir up the imagination of youngsters with everything from lights, sound, and projections to party favours, games, magic, and black theatre.

“It’s amazing the way kids appreciate our presence,” Pombo continued. “You have to come and see the their faces year in and year out. The joy is recorded in their eyes and hearts.”

With the hope of expanding their reach, La Belgranense has taken to idea.me for support in achieving its future goals. The group now seeks to divide its annual tour into three trips—one to the Province of Buenos Aires, one to the rural areas of Entre Rios, and the last to Corrientes—in order to include more schools and bring the big band experience to as many children as possible.

La Belgranense’s next performance will be 11th May in the Navarro zone, where children will be brought together from three different rural schools.

“We believe that to laugh, sing, play, have fun, and share is very valuable to these children, and valuable to us.”

Posted in MusicComments (0)

Top 5 Alternative Museums


Of course in a metropolitan city such as Buenos Aires, Fine Art museum, MALBA and the Evita museum can not be missed. However, behind  these big names of Argentina’s museum world, there are a lot more treasures hidden…Museums that many people don’t even know they exist. Which is a real shame, because they are not only original but also interesting and a pleasure to visit. Often these museums are small and very specialised so you will either love or hate them, but all tastes are catered for. Generally, to see each of the museums properly, will take you maximum an hour and a half and besides, almost all of them are free! We did some research on the most alternative and quirky ones and came up with the following five.

Museo de la Deuda Externa (Photo: Melissa Riggall)

1. Museo de la Deuda Externa (External Debt Museum)

In first instance, the subject itself is perhaps not everyone’s cup of tea, nevertheless it is of huge importance for Argentine’s current society. The museum was founded in 2005 with as goal to tell people the ‘true story’ about Argentina’s economic history and the way it built up its external debt. How society, politics and international institutions dealt with this, is explained in a extensive, but understandable way.

Arriving in the museum you will immediately jump back in Argentine’s ‘debt history’, which starts in the year 1824, when Argentina for the first time borrowed money from the British’ Baring Brothers. From here on, the story and the debt continued, which is explained very well by means of information, images, graphics, charts and photos. The most important moments in Argentines financial as well as general history are highlighted; from the Triple Alliance to the first official default to the Perón years, ‘Plan Brady’ and the intimate relations of Argentina with the IMF. If these terms don’t ring any bells, you should definitely visit this small but hugely informative and interesting museum.

In light of the significance attached to Argentina’ foreign debt, the museum seeks to contribute towards the development of a historical memory and in the same breath strengthen the investigation and promotion of such phenomenons as well as their impact upon Argentine society. It aims at developing a critical reflection scenario and, in turn, disseminating the Argentine foreign debt issue. The museum organises several activities, such as debates, movie cycles and guided tours in which everything is perfectly and carefully explained; highly recommended! The team of the museum is also responsible for making of their own theme comics under the name ‘Foreign debt, an Argentine cartoon’, if you need a more animating version of the entire ‘true story’ the museum wants you to know.

Located on Av.Córdoba 2122, corner Uriburu 781 (recently located in new part of Economy Faculty of UBA). Open Mon-Fri, 9am-9pm. Guided tours available daily on request (in Spanish and English).For more information you can visit their website: www.museodeladeuda.com.ar, mail to museo@econ.uba.ar or call: 4371 4448. Free entrance.

San Telmo Prison Museum (Photo: Edgar Zuniga Jr.)

2. Museo Penitenciario (Prison Museum)

The Argentine Prison museum ‘Antonio Ballivé’ has the mission of collecting, preserving, studying and promoting the historical, social and cultural heritage of the federal prison activity. It is named after the person who made important changes in the National Prison system between 1904-9, who eliminated the silent regime and regulated the qualifications of behaviour, rewards and sanctions for prisoners.

The museum is based in a building which dates back to 1732. During the first half of the 19th century the building was used as a house of prostitutes and abandoned women. In 1822 the Argentine State went in charge of it and it became a ‘Penitentiary of the Residence’; and in 1877 men were transferred and only older women and young people remained in the building. In 1977 the women were transferred to the current Correctional Institute for Women in Ezeiza and so in 1980 the current museum ‘Antonio Ballivé’ opened its doors.

The museum houses a lot of interesting and specific objects of prisons of entire Argentina, provided with sufficient information. There are different rooms such as the ‘criminology room’, the ‘from penalty to treatment’ room, the ‘pharmaceutical room’ and the ‘women’s prison room’, among others. In all of them you can find a variety of interesting objects; archives dating from 1829, emblematic prisons, models of previous prisons, antique prisoners’ clothing, tattoo machines, home-made playing cards, among others. The museum tries to give you an as much as realistic view of the prison life in the past. You can even imagine yourself to be a prisoner by means of having a look into the three different rebuilt cells you will find.

Located at Humberto Primo 378, San Telmo. Open Thu-Sun, 2pm-6pm with Guided tours (in Spanish and English) at 5pm. For more information you can mail tomuseopenitenciario@spf.gov.ar or museopenitenciario@gmail.com or call: 4361-0917.Free entrance.

Museo del Titere (Photo: Melissa Riggall)

3. Museo del Títere (Puppet Museum)

The Argentine puppet museum was created in 1983 and for years it existed without an address. Founded by the two puppet ‘mothers’, Sara Bianchi and Mane Bernardo, who devoted their life to this art of puppets. It was not until 1996 that it started to operate at its present venue; the same house witnessed to the birth of the puppet pioneer of Argentina, Mane Bernardo, a few years after her death. Today Mane’s dream is still alive and her former house turned into a space to display puppets from all over the world, next to a specialised library for researchers and all those who are interested in puppets.

Puppets from all over the world are exhibited, which are mainly donations or collected during the travels of the founders themselves. Puppets in all forms and all sizes; animals made of foam rubber, articulated figures made of papier-mâché and cardboard, animals, dolls, monsters, knights, puppet show puppets, tango singers, a puppet orchestra, marionettes, wizards and skeletons puppets among others. Behind each puppet there is a story to tell. Apart from the puppets themselves the entire space is decorated with everything that has something to do with puppets; stamps, photos, posters and stories among others; all in the theme of puppets!

This sweet and cosy place brings you back to your childhood and to a world of fantasy. It is small, but has a lot to offer, for young and old. The museum hosts several activities and shows with as its main attraction an old-fashioned puppet theatre which has shows every Saturday and Sunday.

Located on Piedras 905, San Telmo. Open Tue, Wed and Fri, 10am-12.30pm and 3pm-6pm. For more information you can visit  their website: www.muesoargdeltitere.com.ar or call:4304 4376. For guided tours and information about the puppet theatre you can mail to:silviamusselli@yahoo.com.arFree entrance.

Museo Nacional del Teatro (Photo: Melissa Riggall)

4. Museo Nacional del Teatro (National Theatre Museum)

Established in 1936 – in the same year as the National Comedy and the National Conservatory of Dramatic Art – the theatre museum is now located in the basement of the Cervantes national theatre.The door of the Spanish Baroque-style building, is the entrance to a world of photographs, posters and handbills that will tell you the history of the Argentine theatre.

Different rooms show memories of theatrical activity since colonial days, through the May Revolution, the Independence, the Federation up till the recent years. The museum houses a huge collection of historical documents, clothing and personal belongings of actors, actresses and authors of the theatre scene in Argentina. Big Argentine theatre heroes as Lolita Torres, Milagros de la Vega and Pepino 88 (Pepe) among other, can all be found in the theatre. Also some of Argentina’s main and first museums are rebuild in miniature models to give you an idea how the theatre worls looked like three ages ago, with Teatro de la Ranchería (1783-1792) as Argentina’s first official theatre. All the sights in the museum are illustrated with extensive and useful information.

In the main room (Trinidad Guevara) outreach activities take place, such as theatre readings, book presentations, thematic exhibitions, series of filmed Argentine theatre and workshops among others. The three functional units of the space; the museum, the documentary archive and the library are part of the National Institute of Theatre Studies also provides free services to theatre groups around the country. The museum takes you back in time and provides a specific and detailed view into Argentine’s world of theatre!

Located at Av. Córdoba 1199. Open Mon-Fri, 10am-6pm. Guided tours (in Spanish) on Wed, 2.30pm. For more information you can mail to estudiodeteatro@inet.gov.ar or call: 4815 8883.Free entrance.

Museo del Traje (Photo: Melissa Riggall)

5. Museo Nacional del Traje (National Suit Museum)

This cute little museum is located in a beautiful old house which dates from the 19th century and was declared a historical monument in 1990. It has several rooms connected by three patios and a gallery. The building has eight rooms for exhibitions, an auditorium, a library, recreational areas, a cafe, and a gift shop. If you want to improve your creative skills, there is even the chance to follow various kind of courses and workshops. In 1972 the Luzuriaga de Mercau family sold the property to the Secretary of Culture and in the same year the museum opened its doors.

The museum wants to recreate the allure of the fashion world; reveal the language of clothing and its accessories and show the connection between costume and art within its social context, with a particular emphasis on Argentina. Clothing and its accessories is considered the Argentine’s second skin. It is a part of their culture, a testimony to the Argentine way of being and thinking and a reflection of the times in which we are living. The museum takes you on a journey through the history of Argentine fashion. It possesses important and varied collections of pieces from the late 18th century until the present day. There are over eight thousand valuable pieces from numerous creators and designers, showing both craftsmanship and applied manufacture industries. Most came from public donations.

The main collection consists of civil clothing from different social levels, adults, young and children fashion from the 18th century until our days, organised in several collections: Etiquette, daily wear, evening dresses, costumes, sportswear, beachwear, underwear and regional costumes – from Asia, Europe, Africa and the Americas. All these pretty pieces are showed in decorated rooms among classical furniture and antiques. You can also find collections of accessories; from parasols to antique teddy bears and from hats to classic old watches. The museum is always changing its wardrobe and has various temporarily exhibitions a year. On 23rd June the exhibition of extravagance and glamour clothing will be inaugurated.

Located on Chile 832. Open Tue-Fri, 3pm-7pm, Sat-Sun 5pm-7pm. Guided tours (in Spanish) on Sat-Sun 5pm. For more information (also about courses the museum is offering) you can visit their website www.funmuseodeltraje.com.ar or mail to museodeltraje@gmail.com or call: 4343 8427. Free Entrance.

Posted in The City, Top 5, Travel, TravelComments (1)

Tools Of Torture: A Look Inside Argentina’s Jails


The footage is dark and grainy, but the view of the prison courtyard is clear enough. It appears to be empty, until suddenly three men are sprinting towards the far corner. A brief fight ensues, before two of those involved flee from the scene. The third – Daniel Martínez – tries to follow, but collapses after just a few paces, never to get up again.

The 27 year-old was stabbed fatally with a faca, a homemade knife ubiquitous in Argentine prisons. The brutal assault, which took place in the early hours of 13th February, was captured by CCTV cameras in the Unit 1 detention facility in Paraná, the provincial capital of Entre Ríos. After the event, prison prefect José Luis Mondragón told local press that the fight broke out “at a time of relative calm, when nothing would suggest an outcome like this was possible”.

Unit 35, inspection on August 15, 2006, courtesy of Comité Contra la Tortura

Yet this outcome is all too common in Argentina’s prisons. According to the NGO Coordinators against Institutional and Police Repression (CORREPI), Martínez was one of four detainee deaths that week, and the ninth so far in 2010. In the province of Buenos Aires – where approximately half of the country’s 60,000 prisoners are held – 112 inmates died in 2008. With another 39 fatalities in federal prisons and dozens more from other provinces, deaths in state custody are occurring approximately once every two days.

Bursting At The Seams

Around half of these deaths are attributed to fights between inmates by the human rights groups that compile annual reviews of the federal and provincial penitentiary services. As prisons become more and more crowded, this type of friction seems unavoidable. According to Ministry of Justice data, the nationwide prison population swelled by over 45% between 2000 and 2005, overwhelming institutions that were, in many cases, already struggling to cope. Increasingly, prisoners are held indefinitely in the temporary cells found at the back of police stations, where conditions are generally even worse.

Mar de Plata Police Station, inspection on September 29, 2006, courtesy of Comité Contra la Tortura

“Detention centres are saturated,” says Roberto Cipriano García, director of the Anti-Torture Committee (CCT), which monitors prisons and police stations in the Buenos Aires province. “We have cases of police stations holding three or four times the number of prisoners that should be allowed, while some prisons are running at 60% above capacity. Many units don’t have running water or ventilation, there’s lots of hunger, and hygiene is abysmal because they are not cleaned properly.”

The situation is even worse when official capacity figures are scrutinised, adds García. “If a prison was built to confine 800 people in individual cells, and later you add another bed in each, the building capacity does not suddenly become 1,600 because the bathrooms, the sewers, the kitchens were all designed for 800.”

Added to this is the alarming statistic that over two thirds of this overcrowded prison population is made up of procesados, or those still awaiting trial. Some remain in this state, unaware how their case is progressing in the clogged up judicial system, for months or years.

This confluence of factors often reaches breaking point, sparking riots with disastrous consequences. In October 2005, 33 inmates died after a fire broke out after a riot in a pavilion of the unit 28 prison in Magdalena, Greater Buenos Aires. Two years later, another fire in a jail in Santiago del Estero claimed another 34 lives. In both cases, serious questions were raised about the lack of water and personnel to fight the fire, and the use of highly flammable material in mattresses.

A System Of Cruelty

When such tragedies occur, the headlines reverberate around mainstream media, with an unflattering spotlight briefly placed on Argentine jails. However, the day-to-day violations of human rights go largely unreported.

There was no major riot in the unit 1 prison in Olmos in 2008, yet 15 inmates died according to the CCT, more than in any other prison in Buenos Aires province. According to Garcia the prison employs a shift of just 27 guards to watch over 1,800 inmates. “The guards delegate control of the prison to a group of influential prisoners,” explains García, adding that this system of governance leads to serious problems: “if the rest of the unit rebels against the dominant group, we see lots of fights and violent incidents.”

However, it is arguably other common system of governance in Argentine prisons – where order and discipline is maintained through brutal repression by guards – that is more shocking.

“Torture and ill treatments are everyday facts in jails today,” claims Gabriela Boada, interim executive director of Amnesty International’s Argentine office. In 2008, the global NGO listed Argentina as one of 81 states where torture is still practised. The report stated that the prison services use “the pretext of fighting insecurity [to] attempt to justify the unjustifiable: the use of torture”.

Unit 35, inspection on August 15, 2006, courtesy of Comité Contra la Tortura

The CCT’s latest annual review revealed that 72% of the detainees questioned suffered physical abuse by guards. According to the report, entitled ‘The System of Cruelty’, torture methods currently used in jails through the Buenos Aires province include “suffocation [by placing a plastic bag over inmates’ head], regular beatings, electric shocks, constant transfers, prolonged ice-cold showers or hosedowns, and isolation.”

And these practices are not confined to the Buenos Aires province. In a comprehensive investigation into conduct in federal prisons, the independent National Penitentiary Procurator (PPN) found widespread evidence of torture and ill treatment of detainees. Aside from physical aggression, which affected 70% of those surveyed, inmates reported suffering almost constant verbal and psychological abuse, and a lack of proper medical attention. Meanwhile, the penitentiary service in Mendoza province has faced repeated criticism from the Inter-American Commission on Human Rights.

According to Dr Marta Monclús, coordinator of the prison observatory at the PPN, inmates are most likely to be subjected to torture or ill treatment at three key moments: when they first enter the prison – and receive the infamous ‘bienvenida’ (welcome) – during cell inspections and when they are sent to the buzones (solitary confinement).

The culture of violence is so ingrained that even the prison guards themselves are sometimes given a bienvenida. In September last year, Carlos Maidana reported three of his fellow guards for the brutal welcome he received a La Plata prison. The handcuffed the new recruit to railings, where they beat him, stripped him, doused him in alcohol and threatened to set him on fire. “If that’s what they do to their colleagues,” says Ana Cacopardo, “just imagine what happens to the prisoners.”

What The Eyes Don’t See…

Cacopardo has first-hand experience of some of the country’s worst jails through her work with the Commission For Memory, to which the CCT pertains, and as a documentary filmmaker.

Photo courtesy of 'Ojos Que No Ven'

Her recent film ‘Ojos Que No Ven’ (What The Eyes Don’t See), which took the best film award at last year’s human rights film festival in Buenos Aires, takes an unflinching look at prison life through the testimonies of four protagonists. Between interview segments, the camera scuttles though dark and damp holding cells, where anonymous inmates talk frankly about prison violence and police brutality above the prison din.

“I wanted to show the jail as it really is, and put names and faces to the stories that go inside. Often, the life or death of an inmate depends on the whim of the prison guard. And the way the system works, it’s so easy to eliminate a witness. There’s so much impunity.”

It is this impunity and corruption that lie at the heart of the problem. When official statistics are supplied by the prison service itself, and the only contradictory voice is that of an inmate – a criminal in the eyes of society and the judiciary – it becomes almost impossible to prove cases of torture and ill treatment. Sometimes, prison guards ‘employ’ certain detainees to do their dirty work. These so-called ‘car bombs’ are forced to eliminate a nuisance fellow prisoner. “They simulate a brawling between prisoners, it goes down as a death due to infighting, and is never investigated,” explains Cacopardo.

The matter is complicated further when you consider that those who report prison guards for brutality will remain under their custody while an investigation is carried out. Fears of reprisals were enough to prevent 517 out of 601 detainees from lodging an official complaint after suffering physical abuse, according to the PPN report.

Even when reports of abuse are made, are verified by witnesses and independent medical staff, and sometimes include photographic evidence, only 1% of complaints reach court, says García. And most cases are not classified as torture, but as more moderate offences, or at worst homicide, which implicates the individual agents rather than the state. “Of 11,000 reports of abuse between 2000 and 2008, only 14 were classed as torture [by the judiciary],” laments García.

‘Torture Doesn’t Exist’

This culture of denial exists in the political orbit too. “When the PPN presented the report, the politicians responsible [for the prison service] adopted a very negative stance”, recalls Dr Monclús. “Instead of taking control and debating how to improve the situation, they simply argued that it wasn’t true that systematic torture existed in the prison service”.

This lack of urgency can also been seen in the failure to comply with Argentina’s international commitments to combat the use of torture. In 2004, the country signed the UN’s Optional Protocol to the Convention Against Torture, thereby pledging to establish transparent and independent organisms to monitor prisons and prevent torture. Even though the deadline for implementing the protocol was June 2007, to date only the province of Chaco has sanctioned the creation of a monitoring agency.

Unit 35, inspection on August 15, 2006, courtesy of Comité Contra la Tortura

The UN protocol is considered a key tool in bringing an unchecked system back into line. But would it really make a difference, if independent bodies like the PPN and CCT are already revealing shocking statistics about torture and ill treatment, only to be ignored by the government and a large part of society?

“It will serve a purpose in the sense that the more actors involved in controlling the jails, the more pressure there will be to do it right,” responds Dr. Monclús.

Cacopardo agrees: “If there were more controls, if more eyes saw what goes on inside the prisons, the judicial power, which plays the key role, would have to be more present.”

But Cacopardo says greater control will be largely pointless without long-term social and economic policies to tackle the high levels of social exclusion and marginalisation that lie behind rising crime rates. “Society has to rise against the simplistic slogans of opportunistic politicians. More prisons are not the solution … they end up violating rights and recycling violence.”

Unit 9, inspection from May 2005, courtesy of Comité Contra la Tortura

This is easier said than done. It is a brave politician that attempts to channel more public money and effort towards improving the plight of prisoners when crime and insecurity are such concerns for the electorate. The ‘eye for an eye’ instinct of those who have fallen victim to a violent robbery, or have suffered the murder of a friend or relative is understandable; a similar attitude from those governing the country is not.

And what about the procesados – a significant number of whom are eventually released after being found not guilty? Are they not victims too? Article 18 of the national constitution expressly states that people are innocent until proven guilty – does this no longer apply in today’s society?

“If someone breaks the law it’s right that they go to jail and serve a fair sentence,” concludes Boada. “But these should not be instruments of torture but an organism of social rehabilitation. At the moment it is like saying that if someone violates the rights of another person, that gives the state permission to systematically violate their rights. [That person] will then leave prison even more enraged. It’s not fair on them, and it’s not fair on society.”

Cristian López Toledo: A Case Study

In May, 2005, Cristian López Toledo was the unfortunate victim of electrical shock torture in the medical area of La Plata’s Unit 9 prison. His was the first case to be proven judicially since the country’s return to democracy.

While human rights lawyers battled against bureaucracy and a wall of silence to bring the case the justice, Toledo was transferred repeatedly to different prisons in Buenos Aires province, each time receiving a bienvenida and more threats for having reported the guards. In one unit he was attacked with a faca by another inmate, who later told Toledo that he had been ordered to eliminate Toledo by the guards.

Toledo remains in prison while his case remains stalled in the judicial system. Since then, the CCT has reported several other instances of electric shock torture in prisons throughout the province of Buenos Aires.

Posted in Feature, Human RightsComments (0)


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As we continue our focus on art and design, we revisit Kate Stanworth's 2007 interview with Lucio Boschi about his black and white photographs of lesser-known cultures in Argentina.

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